Chapter 9: Community

In April of 2009, Yahoo! shut down GeoCities. Practically overnight, the once beloved service had its signup page replaced with a vague message announcing its closure.

We have decided to discontinue the process of allowing new customers to sign up for GeoCities accounts as we focus on helping our customers explore and build new relationships online in other ways. We will be closing GeoCities later this year.

Existing GeoCities accounts have not changed. You can continue to enjoy your web site and GeoCities services until later this year. You don’t need to change a thing right now — we just wanted you to let you know about the closure as soon as possible. We’ll provide more details about closing GeoCities and how to save your site data this summer, and we will update the help center with more details at that time.

In the coming months, the company would offer little more detail than that. Within a year, user homepages built with GeoCities would blink out of existence, one by one, until they were all gone.

Reactions to the news ranged from outrage to contemptful good riddance. In general, however, the web lamented about a great loss. Former GeoCities users recalled the sites that they built using the service, often hidden from public view, and often while they were very young.

For programmer and archivist Jason Scott, nostalgic remembrances did not go far enough. He had only recently created the Archive Team, a rogue group of Internet archivists willing to lend their compute cycles to the rescue of soon departed websites. The Archive Team monitors sites on the web marked for closure. If they find one, they run scripts on their computers to download as much of the site as they could before it disappears.

Scott did not think the question of whether or not GeoCities deserved to exist was relevant. “Please recall, if you will, that for hundreds of thousands of people, this was their first website,” he posted to his website not long after Yahoo!‘s announcement. “[Y]ou …

TablesNG — Improvements to table rendering in Chromium

When I blogged “Making Tables With Sticky Header and Footers Got a Bit Easier” recently, I mentioned that the “stickiness” improvement was just one of the features that got better for <table>s in Chrome as part of the TablesNG upgrade. I ain’t the only one who’s stoked about it.

But Bramus took it the rest of the nine yards and looked at all of the table enhancements. Every one of these is great. The kind of thing that makes CSS ever-so-slightly less frustrating.

Just the writing-mode stuff is fantastic.

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from CSS-Tricks https://www.bram.us/2021/06/21/tablesng-improvements-to-table-rendering-in-chromium/…

Using Performant Next-Gen Images in CSS with image-set

The CSS image-set() function has been supported in Chromium-based browsers since 2012 and in Safari since version 6. Support recently landed in Firefox 88. Let’s dive in and see what we can and can’t do today with image-set().

Multiple resolutions of the same image

Here’s what the CSS spec has to say about image-set():

Delivering the most appropriate image resolution for a user’s device can be a difficult task. Ideally, images should be in the same resolution as the device they’re being viewed in, which can vary between users. However, other factors can factor into the decision of which image to send; for example, if the user is on a slow mobile connection, they may prefer to receive lower-res images rather than waiting for a large proper-res image to load.

It’s basically a CSS background equivalent to the HTML srcset attribute for img tags. By using image-set we can provide multiple resolutions of an image and trust the browser to make the best decision about which one to use. This can be used to specify a value for three different CSS properties: content, cursor, and most useful of all, background-image.

.hero {
  background-image: image-set("platypus.png" 1x, "platypus-2x.png" 2x);
}

1x is used to identify the low-res image, while 2x is used to define the high-res image. x is an alias of dppx, which stands for dots per pixel unit.

Chrome/Edge/Opera/Samsung Internet currently require a -webkit- prefix. If you’re using Autoprefixer, this will be handled automatically. Safari no longer requires the prefix but uses an older syntax that requires a url() function to specify the image path. We could also include a regular old background-image: url() to support any browsers that don’t support image-set.

.hero {
  /* Fallback */
  background-image: url( "platypus.png");

  /* Chrome/Edge/Opera/Samsung, Safari will fallback to this as well */
  background-image: -webkit-image-set(url("platypus.png") 1x, url("platypus-2x.png") 2x);

  /* Standard use */
  background-image: image-set("platypus.png" 1x, "platypus-2x.png" 2x);
}

Now users on expensive fancy devices will see a super sharp image. Performance will be improved …

“Weak declaration”

PPK looks at aspect-ratio, a CSS property for layout that, for the most part, does exactly what you would think it does. It’s getting more interesting as it’s behind a flag in Firefox and Safari now, so we’ll have universal support pretty darn soon. I liked how he called it a “weak declaration” which I’m fairly sure isn’t an official term but a good way to think about it.

This will produce a 16 / 9 element:

.movie-card {
  aspect-ratio: 16 / 9;
}

This will too:

.movie-card {
  width: 50%;
  aspect-ratio: 16 / 9;
}

But this won’t:

.movie-card {
  width: 150px;
  height: 150px;
  aspect-ratio: 16 / 9;
}

Because you’ve explicitly set the height and width, that is what will be respected. The aspect-ratio is weak in that it will never override a dimension that is set in any other way.

And it’s not just height and width, it could be max-height that takes effect, so maybe the element follows the aspect ratio sometimes, but will always respect a max-* value and break the aspect ratio if it has to.

It’s so weak that not only can other CSS break the aspect ratio, but content inside the element can break it as well. For example, if you’ve got a ton of text inside an element where the height is only constrained by aspect-ratio, it actually won’t be constrained; the content will expand the element.

I think this is all… good. It feels intuitive. It feels like good default behavior that prevents unwanted side effects. If you really need to force an aspect ratio on a box with content, the padding trick still works for that. This is just a much nicer syntax that replaces the safe ways of doing the padding trick.

PPK’s article gets into aspect-ratio behavior in flexbox and grid, which definitely has some gotchas. For example, if you are doing align-content: stretch;—that’s one of those things that can break an aspect ratio. Like he said: weak declaration.


The post “Weak

inherit, initial, unset, revert

There are four keywords that are valid values for any CSS property (see the title). Of those, day to day, I’d say I see the inherit used the most. Perhaps because it’s been around the longest (I think?) but also because it makes logical sense (“please inherit your value from the next parent up that sets it”). You might see that with an override of a link color, for example.

<footer©2012 Website — <a href="/contact"Contact</a</footer
/* General site styles */
a {
  color: blue;
}

footer {
  color: white;
}
footer a {
  color: inherit;
}

That’s a decent and elegant way to handle the fact that you want the text and links in the footer to be the same color without having to set it twice.

The others behave differently though…

  • initial will reset the property back to the spec default.
  • unset is weird as heck. For a property that is inherited (e.g. color) it means inherit, and for a property that isn’t inherited (e.g. float) it means initial. That’s a brain twister for me such that I’ve never used it.
  • revert is similarly weird. Same deal for inherited properties, it means inherit. But for non-inherited properties it means to revert to the UA stylesheet. Kinnnnnda useful in that reverting display, for example, won’t make a <p> element display: inline; but it will remain a sensible display: block;.

PPK covered all this in more detail.

I’m glad he found my whining about all this:

Chris Coyier argues we need a new value which he calls default. It reverts to the browser style sheet in all cases, even for inherited properties. Thus it is a stronger version of revert. I agree. This keyword would be actually useful.

Amen. We have four properties for fiddling with the cascade on individual properties, but none that allow us to blast everything back to the UA stylesheet defaults. If we had that, we’d have a very powerful tool for starting fresh with …

Using Custom Elements in Svelte

Svelte fully supports custom elements (e.g. <my-component>) without any custom configuration or wrapper components and has a perfect score on Custom Elements Everywhere. However, there are still a few quirks you need to watch out for, especially around how Svelte sets data on custom elements. At Alaska Airlines, we experienced many of these issues first-hand as we integrated the custom elements from our design system into a Svelte application.

While Svelte supports compiling to custom elements, that is not within the scope of this post. Instead, I will focus on using custom elements built with the Lit custom element library in a Svelte application. These concepts should transfer to custom elements built with or without a supporting library.

Property or attribute?

To fully understand how to use custom elements in Svelte, you need to understand how Svelte passes data to a custom element.

Svelte uses a simple heuristic to determine whether to pass data to a custom element as a property or an attribute. If a corresponding property exists on the custom element at runtime, Svelte will pass the data as a property. Otherwise, it will pass it as an attribute. This seems simple, but has interesting implications.

For instance, let’s say you have a coffee-mug custom element that takes a size property. You can use it in a Svelte component like so:

<coffee-mug class="mug" size="large"</coffee-mug

You can open this Svelte REPL to follow along. You should see the custom element render the text “This coffee mug’s size is: large ☕️.”

When writing the HTML inside the component, it seems like you’re setting both class and size as attributes. However, this is not the case. Right-click on the “This coffee mug’s size is” text in the REPL’s output and click “Inspect.” This will bring open the DevTools inspector. When you inspect the rendered HTML, you’ll notice that only class was set as an attribute — it’s as if size simply disappeared! However, size is getting set somehow, because “large” still appears in the element’s rendered text.…

If we’re gonna criticize utility-class frameworks, let’s be fair about it

I’m not here to raise a shield protecting CSS utility frameworks. I don’t even particularly like the approach, myself, and nothing is above fair criticism. But fair is a key word there. I can’t tell you how many times I’ve seen utility styles compared to inline styles. Sarah Dayan is weary of it:

[…] despite numerous attempts at debunking common fallacies, utility-first enthusiasts keep on having to reply to a staggering amount of misconceptions. And by far, the most tired, overused cliché is that utility classes are just inline styles.

I think this comparison will make it clear:

<div style="color: #3ea8ca;"</div<div class="color-blue"</div

The first div has a color set directly in the HTML that is an extremely specific blue color value. The second has a color that is set outside of the HTML, using class name you can use to configure the shade of blue in CSS. Sure, that second one is a fairly limited class name in that, as the name suggests, does one job, but it still offers some abstraction in that the blue color can be changed without changing the markup. It’s the same story with a sizing utility class, say size-xl. That’s also an abstraction we could use to define the padding of an element in CSS using that class name as a selector. But if we were to use style="padding: 10px;" directly on the element in the HTML, that is an absolute that requires changing the value in the markup.

To be fair though (which is what we’re after), there are quite a few classes in utility frameworks that are named in such a way that they are extremely close acting like inline styles. For example, top-0 in Tailwind means top: 0 and there is no configuration or abstraction about it. It’s not like that class will be updated in the CSS with any value other than zero because it’s in the name. “Utility” is a good way to describe that. It is very much like an inline style.

All …

Are we in a new era of web design? What do we call it?

Una is calling it the new responsive. A nod to the era we were most certainly in, the era of responsive design. Where responsive design was fluid grids, flexible media, and media queries, the new responsive is those things too, but slotted into a wider scope: user preference queries, viewport and form factor, macro layouts, and container styles.

I like the thinking and grouping here and I kinda like the name. It eludes to an evolution and extension of responsive web design rather than a rejection and replacement.

This isn’t the first crack at identifying and naming a shift between eras. Back in 2018, Jen Simmons was doing a talked called “Everything You Know About Web Design Just Changed” where she identified that responsive design was a major shift in how we did layout on the web. And yet, it was firmly defined in an era where layout tools like flexbox and grid didn’t even exit. Now, they do exist, and with them a bevy of other new features that bring more capable graphic design to the web. She called it Intrinsic Design.

I almost like Intrinsic Design more now than I did in 2018, because now, if we attempt to lump in @container queries, the name makes more intuitive sense. We (hopefully will soon) make styling choices based on the intrinsic size of elements. We make styling choices based on the intrinsic nature of the individual users we serve. We make styling choices off the intrinsic qualities of the browser.

I wouldn’t say either of the terms have really caught on though. It’s hard to make a name stick. That little burst of ideating around CSS4 sure didn’t go anywhere.

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How to Create CSS Charts With Interesting Shapes, Glyphs and Emoji

Let’s forego the usual circles and bars we typically see used in charts for more eccentric shapes. With online presentations more and more common today, a quick way to spruce up your web slides and make them stand out is to give the charts a shapely makeover 🪄

I’ll show you how to create charts with interesting shapes using glyphs, CSS shapes, and emojis with minimal effort.

Let’s start with a simple example.

Using glyphs

<div id="chart"<div id="chart-shape"⬠</div<div id="chart-value"</div</div
#chart {
  width: 300px; 
  height: 300px;
  display: grid;
  background: white;
}
#chart * {
  height: inherit;
  grid-area: 1 / 1;
}

We first give the chart some dimensions and stack the two div inside it by assigning them to the same grid cell. They can be stacked up using any other way, too — with position property, for instance.

Look at the HTML above one more time. One of the divs has a pentagon symbol — the chart shape we want. I added that symbol using the “Emoji and Symbols” keyboard, though it can also be done with the HTML entity value for pentagon, &#x2B20;, inside the div.

The div with the symbol is then styled with CSS font properties as well as a desired chart color. It’s large enough and centered.

#chart-shape {
  font: 300px/300px serif;
  text-align: center; 
  color: limegreen;
}

To the second div in the HTML contains a conic gradient background image. The percentage of the gradient represents the visual value of the chart. The same div also has mix-blend-mode: screen;.

#chart-value {
  background: conic-gradient(transparent 75%, darkseagreen 75%);
  mix-blend-mode: screen;
}

The mix-blend-mode property blends colors inside an element with its backdrop. The screen blend mode value causes a lighter blend to come through. A lighter green shows through the portion where the darkseagreen colored part of the conic gradient overlaps with the limegreen colored pentagram, while the rest of the darskseagreen gradient disappears against the white backdrop of the chart.

An alternative to adding the chart shape …

Links on Typography

  • I studied the fonts of the top 1000 websites. Here’s what I learned. — Michael Li brings the data. San-serif has total dominance. “[…] it is rare to go below 10px or above 24px.” And poor <h5> always being the same size as <p>. Makes me feel extra sad for <h6>, are you destined to be smaller than body copy?
  • How tracking and kerning improves all caps text — Oliver Schöndorfer gets into why ALL CAPS text generally looks better when spaced out (i.e. letter-spacing in CSS). I’m not exactly a renowned typographer, but this tracks with what I’ve always felt. All-caps looks good spaced out (sometimes quite a bit), and conversely, it almost never looks good to track out lowercase. Like the PG version of the famous quote.
  • Leveraging System Fonts on the Web — Jim Nielsen shared some of my confusion with “system fonts” in CSS. Like we have system-ui now, which I use pretty often because it actually works in Chrome and Safari for selecting the system font (i.e. getting to use San Francisco on macOS). Before that was a thing, to leverage the same kind of thing, you’d do a big long stack. But we kinda still need the stack for real production sites, since system-ui isn’t universally supported. There is a nice world going forward though, because we’re getting ui-sans-serif, ui-sans-serif, ui-monospace, and ui-rounded. Browser support is quite limited, but it’s gonna be nice.
  • Simpler Font Licensing: Introducing V2 — “The core of V2 is this: you buy a font, and then you can use it.” God bless ’em. As the owner of several sites that get a lot of page views but don’t have waterfalls of cash as a budget, I need web font pricing that is sane.
  • 5 steps to faster web fonts — Iain Bean goes through the biggies: WOFF2, font-display, <link rel="preload" ...>, Subsetting, and self-hosting. And never forget about the holy bible.
  • A New Way To Reduce Font